Gran Torino Movie Analysis Essay Example

Gran Torino Movie Analysis Essay Example Gran Torino Movie Analysis Essay Gran Torino Movie Analysis Essay In the movie Gran Torino, by Clint Eastwood, Eastwood plays a racially bitter and lonely war veteran that doesnt really have a soft side at first for anyone after his wife dead. He treated everyone the same, with a grumpy attitude. He would keep to himself cause he felt it was the best thing of him to recover from his lost. He wouldnt take any hand outs or help from anyone cause he believed he could do it all by himself and didnt need anyone. The movie shows great examples of how he went from a stuck up grumpy old man to a kind hearted caring man in the end. In the movie when Walt (Clint Eastwood) catches Thao trying to steal his car late at night for the initiation because his crazy cousin and friends were trying to get him to be more of a man and be apart of the gang. After Thao was caught and held up by gun point by Walt, he manages to get away. After that the next day his cousin and friends came back around causing problems and Walt comes out and holds them up by gun point to scare them off. Thaos mom felt that Thao had a debt to Walt now for helping him out, so he had to come work for Walt for a little. : Thao would be given asks that would get him dirty and really have to put a lot of energy into. Walt started to ease up on him towards the end because he saw something different in Thao then all the other bad kids in the neighborhood. Another example from the movie is when Sue invites Walt over to a family gathering that they were having. He felt apart of the family because of how he was welcomed in and how comfortable he felt after awhile. From everyone greeting him and from all the food and hospitality that was given on his visit. He really started to click with Sue to a point were Sue could tell that they were becoming close. At this point Walt was starting to become more calm and kind hearted. Walt one day when Thao was in his backyard planting and gardening, they started talking and the point of Thao wanting to make money so he could save up but he wasnt getting paid working for Walt. Walt saw that Thao was good with his hands and took Thao to go get his Job with Walts friend in the construction business. He did him a favor of getting him the Job and buying all the tools that Thao would need to start the Job because he saw Thao as one of his sons. They were becoming close so Walt didnt have a problem doing it. Walts soft side was starting to show. In the end Walt turned out to be a kind hearted old man, he was a little rough at the movie Walt does one last kind gesture for Sue and Thao. He went and confronted the gang, to get them to leave them alone. He went in there knowing it was dangerous and that he wasnt gonna make it out alive so he pretended to pull a gun on the gang so they would shoot at him and go to Jail forever so that Sue and Thao could live in peace finally without worrying about them. Su and Thao were grateful but they were sad that they had to lose a friend for it to happen.

The 5 Best Suspense Thrillers on Stage

The 5 Best Suspense Thrillers on Stage Unlike mysteries in which the audience searches for clues to figure out â€Å"whodunit,† thrillers let viewers know who the bad guys are in advance. Then, the audience spends the rest of the play on the edge of their proverbial seats wondering who will win: the evil doer or the innocent victim? Here are five of the best stage thrillers in theatrical history. Wait Until Dark by Frederick Knott In this slick, slightly dated cat-and-mouse thriller, three con-men manipulate a blind woman. They want the secret contents hidden inside a mysterious doll, and they are willing to go to any lengths to retrieve it - even murder. Fortunately, the blind protagonist, Suzy Hendrix, is resourceful enough to use her other heightened senses to combat the criminals. In the climactic final act, Suzy gains the advantage when she shuts off all the lights in her apartment. Then, the bad guys are in her territory. Deathtrap by Ira Levin A reviewer from Cue Magazine calls Levin’s comic suspense play, â€Å"two-thirds a thriller and one-third a devilishly clever comedy.† And the play is indeed devilish! The premise: a formerly successful author is so desperate for another hit, he seems willing to murder a younger more talented writer in order to steal his brilliant manuscript. But that’s only the beginning. Plot twists and treachery abound throughout Deathtrap. Try to see this one live at your local community theater. However, if you can’t wait for it to be revived, the Michael Caine film is a fun ride as well. Dial M for Murder by Frederick Knott Another â€Å"Knotty† thriller, this play became an instant theatrical hit as well as an Alfred Hitchcock classic. Believing that he has planned the perfect crime, a cold-hearted husband hires a thug to murder his wife. The audience members hold their breath as they watch to see what happens next. Will the husband get away with the heinous deed? Will the wife survive? (Don’t hold your breath for too long – the play runs about two hours.) Perfect Crime by Warren Manzi This show is currently the longest running play in New York City history. This off-Broadway thriller has been running since 1987. Believe it or not, lead actress Catherine Russell has starred in Perfect Crime since its premiere. That means she performed in over 8,000 shows – missing a mere four performances during the last twenty years. (Can a person stay sane after all those performances?) The press release says: â€Å"The main character is a Harvard-educated psychiatrist accused of bumping off her wealthy British husband. The play is set in an affluent Connecticut town where this suspected murderess conducts her practice out of her secluded mansion. The handsome detective assigned to the case must overcome his own love-interest in the wife as he seeks to discover who murdered the husband, if indeed he was murdered at all.† Sounds like a good combination of suspense and romance. The Bad Seed by Maxwell Anderson Based upon the novel by William March, The Bad Seed asks a disturbing question. Are some people born evil? Eight-year old Rhoda Penmark seems to be. This play might be seriously disturbing for some people. Rhoda behaves sweetly and innocently around adults, but can be murderously devious during one-on-one encounters. There are few plays in which such a young child is portrayed as such a manipulative sociopath. The psychopathic Rhoda makes the creepy ghost girl from The Ring look like a Strawberry Shortcake.